8K may turn the tables, definitively, toward Red. Red 4K, really, was where the game shifted. Mark Toia, apparently (and I say apparently), already has some work out in Red 8K. Red probably wants it to be an explosive debut. But they are being highly guarded-not even a single frame grab to be seen. There are samples circulating for months now. I'm still looking forward to seeing video and/or frame grabs from the Red 8K. There is no going back, and no use arguing we should go back-save your energy for something worthwhile. If using film makes you feel more comfortable you MUST use it. If it works for them they need to keep using it. And that’s not inappropriate when dealing with a classic Bond movie.Īnd for a little bit of what he's talking about, check out a trailer for the film: It had romance, a slight nostalgia, which was my own imposition, but I had that feeling. I was so relieved watching the first day’s dailies on film. There’s a magic there you win big and sometimes you lose big, but the risk is worth it. Film is difficult, it’s imprecise, but that’s also the glory of it. He also said it felt less textured and less romantic in many of the daylight exteriors, but that going back to film made him feel all of that again: ![]() While he says that he's pro film, he also says he's pro digital, and he really loved the way some of the night scenes looked in Skyfall. With film, there’s something to look forward to, whereas with digital, I’ve always felt that the best version of the image is standing alongside the DIT on set, and there’s a step backwards when you watch dailies. ![]() Watching dailies on the big screen for the first time is kind of like Christmas. Film takes a leap up from your slightly shitty monitor screen to the dailies, where it starts to really have richness. With the Alexa, I missed the routine of film and the dailies.
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